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LUMP SUM

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Jukka-Pekka Kervinen’s “Lump Sum” is an a-semantic dance-floor strut. Take a frenetic carb-ride past inner city graffiti onto the dance floors of 80’s flash-back dance-clubs -- break out your pastel colours, Kervinen’s poetry is le freak, c’est chic!

— derek beaulieu 


LUMP SUM by jukka-pekka kervinen. visual poetry collection. paperback. avantacular press, 2010. 16 pages. laserjet printed on linen paper. 4.25" x 5.5". $7, which includes shipping.



ARCHITEXTURE

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Andrew Topel's architextures demonstrate a brilliant scaffolding of thought and language. The words are more than words: they are supports and wings and evidence of artistic power. Their many variations, emanations live beyond themselves. They lift with eyelight into a distance that they help devise. Topel's architextures offer the concrete bounty of their wholeness, while singing affirmations of each tiny increment of stroke. Their vibrant motion elicits with immediacy, infinity. One feels and sees from up close and from far away to find a world. Andrew Topel's visual poetry is the best argument we have for celebrating the alphabet.

— Sheila E. Murphy


ARCHITEXTURE by andrew topel. visual poetry collection. paperback. avantacular press, 2010. 16 pages. laserjet printed on linen paper. 8.5" x 11". $11.50, which includes shipping.


ASSASSIN

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Andrew Topel’s ASSASSIN is an entirely handwritten book, a pleasure to see in this age of word processing and electronics. Topel uses a pen, one of the simplest and oldest of writing tools, to create a wide variety of effects, from illegible asemic scrawl to carefully inked letters looking almost like type. Topel’s work here presents immediately and graphically the multiplicity of consciousnesses, the layers and resonances, that are normally created in poetry by metaphor, punning, and other means. Access to these multiple layers becomes a visual experience, literally one of reading between the lines; and under them and over them, and across them, and through them. Each of his pages uses a different form, or shape, or approach, and they are all endlessly fascinating, engaging the mind and eye together to create constantly shifting and expanding universes of meaning.

— John M. Bennett


ASSASSIN by andrew topel. visual poetry collection. paperback. avantacular press, 2010. 24 pages. laserjet printed on linen paper. 5.5" x 8.5". $15, which includes shipping.


CELLS

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CELLS by carol stetser & andrew topel. visual poetry collection. paperback. avantacular press, 2010. 12 pages. laserjet printed on linen paper. 5.5" x 8.5". $10.50, which includes shipping.


REASON

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REASON by claire edwards. visual poetry collection. paperback. avantacular press, 2010. 12 pages. laserjet printed on linen paper. 5.5" x 8.5". $8.50, which includes shipping.


CHEMICAL

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collaged from national geographics & a medical dictionary, CHEMICAL  is designed to re-wire your retinas to your taste buds.


CHEMICAL by andrew topel. visual poetry collection. paperback. avantacular press, 2010. 16 pages. 8.5" x 11". $18, which includes shipping.


THE WHITE WHITCH

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THE WHITE WHITCH by daniel f. bradley. visual poetry collection. paperback. avantacular press, 2010. 16 pages. 4.25" x 5.5". $7.50, which includes shipping.


SWARMS

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SWARMS by derek beaulieu. visual poetry collection. paperback. avantacular press, 2010. 20 pages. laserjet printed on linen paper. 4.25" x 5.5". $10.50, which includes shipping.



HUM MUH

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HUM MUH by john m. bennett, jim leftwich & andrew topel. visual poetry collection. paperback. avantacular press, 2010. 16 pages. laserjet printed on linen paper. 5.5" x 8.5". $11.00, which includes shipping.


COMIX

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COMIX by andrew topel. visual poetry collection. paperback. avantacular press, 2010. 20 pages. laserjet printed on linen paper. 5.5" x 8.5". $13.00, which includes shipping.


CARTIERE

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CARTIERE by peter ganick. visual poetry collection. avantacular press, 2010. 36 prints. $12.00, which includes shipping.


BLACK ON WHITE ON BLACK

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BLACK ON WHITE ON BLACK by andrew topel. visual poetry collection. paperback. avantacular press, 2010. 12 pages. laserjet printed on linen paper. 5.5" x 8.5".  $9.50, which includes shipping.


CONCRETE

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CONCRETE by andrew topel. visual poetry collection. avantacular press, 2010. 25 prints. $12.00, which includes shipping.


PAIN TINGS

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PAIN TINGS by andrew topel. visual poetry collection. hardback. avantacular press, 2010. 12 pages. laserjet printed on linen paper. 8.5" x 11" with one-of-a-kind spray-painted covers.  $30.00, which includes shipping.


MEZZO

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MEZZO by pete spence. visual poetry collection. paperback. avantacular press, 2011. 22 pages. laserjet printed on linen paper. 5.5" x 8.5". $12.00, which includes shipping. 



CRIPTOGRAPHS canvas edition

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CRIPTOGRAPHS canvas edition by carlos m. luis. visual poetry collection. avantacular press, 2011. 16 prints with a miniature easel.  $14.00, which includes shipping.


CRIPTOGRAPHS

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CRIPTOGRAPHS by carlos m. luis. visual poetry collection. avantacular press, 2011. 16 pages.  $8.00, which includes shipping.


POETICAL LANGUAGES

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POETICAL LANGUAGES by fernando aguiar. visual poetry collection. avantacular press, 2011. 20 pages. $13.00, which includes shipping.


CHEWED

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GUM WORKS

Bubble Gum Alley, a narrow brick walled walkway between two stores, connects a small street surface parking lot to Higuera, a San Luis Obispo one way downtown street. Gum on brick first appeared anonymously in the early 1960’s. After cleanup efforts proved futile, local youth openly stuck chewed works with varying skill on brick surface and in mortar seams. Eventually, from far and near, others came to press gum wads onto brick, in mortar seam or atop a previously pressed wad. Others stood for minutes chewing a variety of colorful and tasty choices in order to carefully form initials, a word or words or a shape. As an added accent, some used gum to anchor paper and other materials.
The alley has become a popular sight-seeing attraction. Visitors shudder in a hypochondriac germ jumping fear or shake disapproving heads or laugh or stand in awe contemplating possibilities.
In the winter of 2005, I began photographing various sections of the walls with a used small digital camera given to me by my bonus daughter, Amy Franceschini, a highly regarded multimedia and environmental artist. I continued capturing images, textures and letters over the next few months after delivering bagged micro-green sunflower sprouts and wheatgrass flats to our local customers. This series began my return to the camera after a thirty year hiatus, except for the documentation of the Chumash solstice sites I had recovered.
Chewed is a series of highly altered digital photographs carefully guided through digital programs, none of which are photoshop. The photo is meant to remain hidden below the surface much like the bricks under the gum. These are my first Photons.                                                                  - karl kempton  


CHEWED by karl kempton. visual poetry collection. avantacular press, 2012. 28 pages. $25.00, which includes shipping.


VISUAL POETRY POSTERS

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harnessing the power of language - full-color 24" x 36" poster




 a music of the spheres - genesis - full-color 24" x 36" poster



a music of the spheres - solar flare - full-color 24" x 36" poster



to order & see more, visit avantacular press posters

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